The Myriad of Faces of The Futures Challengers

Synopsis
During the leadership of President Soeharto (1966-1998) under the New Order government, Indonesian Cinema brought forth important names that are still being discussed until now. It was a period in which censorship operated firmly to regulate and maintain the narrative that may or may not appear on the screen. That was an era when the opposition could only be represented through the perspective of the New Order regime itself, to conserve a danger of latent–a spectral enemy. However, can cinema represent the faith of its own era? Can cinema speak about what should not be expressed or has not been expressed?
Schedule
1st Screening
17 November 2022, 19:00 GMT+7
2nd Screening
19 November 2022, 15:00 GMT+7
Credits

Yuki Aditya
Yuki Aditya graduated from University of Indonesia majoring in Fiscal Administration and once worked as a Tax Auditor at a Public Accountant in Jakarta. Since 2013, he is the Festival Director of ARKIPEL International Documentary and Experimental Film Festival. Yuki is acting as producer of films produced by Forum Lenteng, including Golden Memories: Petite Histoire of Indonesian Cinema (2018), Om Pius… This is My Home Come the Sleeping (2019), Dolo (2021). Along with I Gde Mika, he is the director of The Hypothesis of Wandering Images of Jakarta (2021) and The Myriad of Faces of Future Challengers (2022).

I Gde Mika
I Gde Mika is a cultural activist currently studying at the Institut Kesenian Jakarta (IKJ) majoring in cinema studies. He is a member of Forum Lenteng and a participant of Milisifilem Collective. He is involved in several documentary film productions including the cameraman in Dolo (2020) directed by Hafiz Rancajale, and as a director with Yuki Aditya in Kelana Citra Jakarta (2021) and Segudang Wajah Penantang Depan (2022).





