An intensive learning program on film programming, curation, distribution, and exhibition practices.
Ramu Layar is an intensive learning program focused on film programming and exhibition practices, initiated by Padepokan Seni Bagong Kussudiardja (PSBK) in collaboration with Forum Film Dokumenter. The program serves as a learning space for film programmers, artists, and cultural practitioners to understand various approaches in organizing film programs and to build meaningful connections between works, spaces, and audiences.
Through a series of online sessions, participants are invited to explore programming practices within the Indonesian context, ranging from curatorial work and screening venue management to the dynamics of cross-media exhibitions. Ramu Layar’s speakers include Alexander Matius, Alia Damaihati, Eric Sasono, John Badalu, Thomas Barker, Agus Mediarta, Lisabona Rahman, and Joned Suryatmoko.
Annisa Rachmatika, Jawa Tengah
Armin Septiexan, Nusa Tenggara Timur
Deasy Fatmasari, Jawa Barat
Duifadia Dissa, Jawa Barat
Eni Puji Utami, D.I. Yogyakarta
Faizal Akbar Abdallah, Jawa Timur
Fidel Demara, Jambi
Gerry Junus, Jawa Tengah
Ivanda Rizky Wahyu Brillian, Jawa Timur
M. Agung Budiman, Sulawesi Selatan
M. Akbar Alamsyah, Sulawesi Selatan
M. Arfa Amrizal, Jawa Tengah
Mindfadly Robby, Jawa Barat
Shandy Anata Mohammad Tang, Kalimantan Timur
Sunaring Pangastuti, DKI Jakarta
Yuriando Muhammed Alvarrez, Jawa Timur
Forum Film Dokumenter in collaboration with Padepokan Seni Bagong Kussudiardja (PSBK) is presenting Ramu Layar Film Programming Class. This intensive course aims to develop skills and expand knowledge and access within the field of film programming. Following a selection process, here are the 16 participants chosen for the 2021 Ramu Layar Film Programming Class: Annisa…
The growth of the film industry led to the rise of film screening venues such as movie theaters, film festivals, and alternative community-based screening spaces, as well as other artistic activities. These venues ultimately serve not only to screen films but also to generate knowledge through the critical practice of curating film selections that are…
