Fifth Cinema
Synopsis
Fifth Cinema begins with a quiet statement “I am a filmmaker, as you know.” That text and what follows, by Maori filmmaker Barry Barclay, who coined the term ‘Fourth Cinema’ to distinguish indigenous cinema from the established ‘First, Second, and Third Cinema’ framework, provides structure to Nguyen’s hybrid essay film that moves on multiple cinematic and topical terrains. Eschewing voice in favor of the written word and juxtaposing moving images of the filmmaker’s own daughter with archival images of Vietnamese women seen through the lens of the “ship’s officers”, the film slowly leads the viewer through a narrative of colonialism, indigeneity and cinematic limitations in representation.
Schedule
1st Screening
4 November 2024, 19:00 GMT+7
2nd Screening
6 November 2024, 10:00 GMT+7
Production Team
Nguyễn Trinh Thi
Nguyễn Trinh Thi (b. 1973, Vietnam) is a Hanoi—based experimental filmmaker and moving image artist whose practice investigates the memory and history of Vietnam. She uses a wide range of materials and artistic approaches including found footage, sound, and performance to propose new forms of storytelling that unveil hidden or misinterpreted aspects of the county’s past. Known for her powerful filmic montages and original interdisciplinary conceptual associations, her work addresses urgent contemporary questions relating to representation, landscape, indigeneity, and ecology.