Narratives of Change and Resistance
The Utopia/Dystopia program presents a selection of films exploring personal, cultural, and societal transformations. Each film offers a distinct perspective, examining the tensions between tradition and progress, repression and resilience, while presenting human stories of struggle, connection, and hope. These films showcase narratives of individuals and communities striving to adapt and thrive in challenging circumstances.
K-Family Affairs (2023) takes an intimate look at the director’s journey as the daughter of the 386 generation, a group pivotal to South Korea’s democratization. Her father, a public servant, and her mother, a feminist activist, embody ideals of progress and the fight for a better future. However, when 18-year-old Arum witnesses the Sewol ferry disaster, a tragedy that exposes systemic failures, her father’s role in managing the aftermath leads her to question the democracy her parents fought for. Potraying resilience amidst farmer suicides in India, we follow Sanjeevani, a young widow who finds strength among women sharing her loss. Marching in the Dark (2024), through peer sessions with a psychologist, she confronts her grief, challenges societal taboos, and works toward financial independence. Despite obstacles, she remains determined, finding hope in supporting other women farmers. The film highlights the power of community and the courage needed to navigate a patriarchal society.
Mullinkosson captures the intersection of personal identity and socio-economic shifts, shedding light on how gentrification impacts marginalized communities. The Last Year of Darkness (2023), other than portrays the resilience of those seeking to maintain their identity in a rapidly changing landscape, this film offers a glimpse into the lives of young queer individuals in Chengdu, China, centering on Funky Town, an underground nightclub that serves as a refuge amid rapid urban redevelopment. Moved from urban stories, set in Medellín, ANHELL69 (2022) presents a blend of documentary, remembrance, and celebration. The film tells the stories of marginalized individuals navigating the liminal spaces between life and death, visibility and invisibility. It explores themes of youth, community, and survival in an ever-shifting world, celebrating the spirit of those on the edges of society.
And, Towards Happy Alley (2023) is a tribute to Iranian cinema and poetry, offering an intimate glimpse into the nation’s cultural essence. Through lyrical storytelling, it captures the spirit of a fearless generation demanding civil liberties, portraying the challenges and triumphs of individuals striving for freedom and dignity. Meanwhile, Breaking the Cycle (2024) takes the audience on a journey through Thailand’s political landscape, chronicling the rise and fall of Thanatorn, a charismatic young politician. Set against the backdrop of the 2019 election, the film highlights a new generation of leaders challenging an authoritarian constitution and reveals the power of grassroots movements.
Together, these films reflect how individuals and communities confront, challenge, and adapt to the uncertainties of the world. Each piece stands as a testament to resilience, healing, and transformation, weaving a tapestry of experiences that resonate on both personal and global levels. By capturing these deeply human stories, Utopia/Dystopia offers a window into the shared struggles and triumphs that define the human experience, emphasizing community, resistance, and the capacity for change.
–Gugi Gumilang
