{"id":56758,"date":"2025-11-08T23:24:50","date_gmt":"2025-11-08T16:24:50","guid":{"rendered":"https:\/\/ffd.or.id\/?p=56758"},"modified":"2025-11-10T21:06:36","modified_gmt":"2025-11-10T14:06:36","slug":"the-mother-and-the-bear","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/film-review-en\/the-mother-and-the-bear\/","title":{"rendered":"A Glimpse of Love in a Working Family"},"content":{"rendered":"

Intergenerational domestic relationships are often complicated. It is not uncommon for awkward and uncomfortable stories to cause tension between family members. This is what Egyptian director Yasmina El Kamaly attempts to expose in her documentary, The Mother and the Bear<\/em> (2024).<\/p>\n

In this 12-minute documentary, director El Kamaly reflects on the intergenerational relationships within her family. She revisits past events through audiovisual recordings and journals written by her mother. These archives then become the foundation for uncovering the matrilineal history of her family and reexamining how affection works within a family.<\/p>\n

\"The<\/p>\n

Director El Kamaly compiles various audiovisual recordings from her family into a montage that shows us how complex the relationships within her family are. Communication is not fluid, and affection is depicted metaphorically through the composition of the archives and interviews. They are identifying their longing for affection and the intimate relationship between a mother and child.<\/p>\n

El Kamaly\u2019s mother has a delicate relationship with her own mother (El Kamaly\u2019s grandmother). Their communication feels awkward, not even allowing for simple exchanges of pleasantries and shared laughter. They attempt to establish a connection to share genuine affection, but it remains unattainable. It is this affection that Yasmina’s mother longs for, even after her own mother\u2019s death.<\/p>\n

\"The<\/p>\n

Through the interplay of their faces on screen, director Yasmina attempts to explore her familial affection. The composition captures only Yasmina\u2019s mother, partially obscured, metaphorically protecting her from discomfort. However, honest expressions are evident in her eyes as they throw increasingly subtle questions at each other. Finally, El Kamaly\u2019s mother asks a rather awkward question, \u201cDo you love me?\u201d It is a very simple question, but it comes from the depths of a mother\u2019s heart.<\/p>\n

The touching and reflective moments in this documentary are a mirror that allows the audience to look back at their own family relationships. Various subtextual questions about love become sharp triggers for reflection on familial ties. In essence, The Mother and the Bear<\/em> is a reflective, metaphorical documentary that will both shake your soul and move you to tears, at once. (Ahmad Radhitya Alam) (Ed\/Trans. Vanis)<\/p>\n

 <\/p>\n

Film Details <\/strong>
\nThe Mother and the Bear (\u0627\u0644\u0623\u0645 \u0648\u0627\u0644\u062f\u0628)
\nYasmina El Kamaly | 12 min | 2024 | Egypt
\nIn Competition for Short Documentary<\/strong>
\nFestival Film Dokumenter 2025<\/p>\n","protected":false},"excerpt":{"rendered":"

Intergenerational domestic relationships are often complicated. It is not uncommon for awkward and uncomfortable stories to cause tension between family members. This is what Egyptian director Yasmina El Kamaly attempts to expose in her documentary, The Mother and the Bear (2024). In this 12-minute documentary, director El Kamaly reflects on the intergenerational relationships within her […]<\/p>\n","protected":false},"author":788,"featured_media":44735,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"edition":[781],"class_list":["post-56758","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-review-en","edition-ffd-2025-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/56758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/788"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=56758"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/56758\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/44735"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=56758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=56758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=56758"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=56758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}