{"id":56496,"date":"2025-11-08T23:25:45","date_gmt":"2025-11-08T16:25:45","guid":{"rendered":"https:\/\/ffd.or.id\/?p=56496"},"modified":"2025-11-08T23:25:45","modified_gmt":"2025-11-08T16:25:45","slug":"main-home","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/film-review-en\/main-home\/","title":{"rendered":"A Red Circle Torn Open Like a Blooming Flower\u00a0"},"content":{"rendered":"<p>The memory that the veil of denial has covered must gradually be ripped open and left exposed, compelling us to face the sadness of the past, whether through the silence of the present or the efforts of nursing the future. <em>Main Home<\/em> (2025) seeks to embrace those efforts, exploring and resonating with Ana\u2019s diaries that capture the history of family, home, and everything surrounding those two most important moments of life for all human beings. Memories of home, from mundane daily routines to the familiarity of every nook, become something that Ana and her family miss very much when visiting their home, which was shattered by the 2001 armed conflict.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-45836 size-full\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2025\/05\/Main-Home-Still-02.jpg\" alt=\"\" width=\"2560\" height=\"1350\" \/><\/p>\n<p>The reconciliation presents a pretext for the pattern of violence that affects and infiltrates the corner of the room. A red circle is wide open, allowing the air to come and go without carrying any meaning. Through letters, recollections of family habits, names of relatives who bring peace and sparks to the soul, coffee, television, folds of clothes, embroidered cloth with floral patterns, cheese, mirrors, paintings, photo albums, ready-to-harvest avocados, beloved plants, and music. The ghost of daily life, which still lingers in the ribs of a house that has been destroyed for twenty years, seems to have a hope of being rebuilt with blooming red flowers, where it fills the wide gap.<\/p>\n<blockquote><p>\u201c<em>But, my heart was torn apart, wounds and blood gushed out, opening like a beautiful rose blooming<\/em>.\u201d<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-45838\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2025\/05\/Main-Home-Still-03.jpg\" alt=\"\" width=\"2560\" height=\"1350\" \/><\/p>\n<p>This documentary seeks to combine various forms of reconciliation from all elements of Ana and her family\u2019s life. We are invited to feel how loss, silence, forgetfulness, and pain slowly appear, then disappear along with the memories and notes archived in Ana\u2019s writings. The texts, goods, and activities that are maintained in the house become fertile fields to ignite sparks of hope for the rebirth of the house in a timeless, unwiped, and unforgettable form. (Gantar Sinaga) (Ed. Vanis\/Trans. Shafira Rahmasari)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Film Details <\/strong><br \/>\nMain Home (La Casa Grande)<br \/>\nCristian Hidalgo | 28 min | 2024 | Colombia<br \/>\nIn Competition for <strong>Short Documentary<\/strong><br \/>\nFestival Film Dokumenter 2025<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The memory that the veil of denial has covered must gradually be ripped open and left exposed, compelling us to face the sadness of the past, whether through the silence of the present or the efforts of nursing the future. Main Home (2025) seeks to embrace those efforts, exploring and resonating with Ana\u2019s diaries that [&hellip;]<\/p>\n","protected":false},"author":788,"featured_media":45833,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"edition":[781],"class_list":["post-56496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-review-en","edition-ffd-2025-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/56496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/788"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=56496"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/56496\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/45833"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=56496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=56496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=56496"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=56496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}