{"id":32017,"date":"2023-11-21T17:16:40","date_gmt":"2023-11-21T10:16:40","guid":{"rendered":"https:\/\/ffd.or.id\/uncategorized\/garden-amidst-the-flame-2022-womens-imagery-in-a-truly-manly-customs\/"},"modified":"2023-11-21T17:19:25","modified_gmt":"2023-11-21T10:19:25","slug":"garden-amidst-the-flame-2022","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/film-review-en\/garden-amidst-the-flame-2022\/","title":{"rendered":"Garden Amidst the Flame (2022): Women\u2019s Imagery in A Truly Manly Customs"},"content":{"rendered":"<p>Shave your eyebrows and you will be able to see spirits, they said. Perhaps Mikha was right. Her sister, Virsay, returns home to a greeting from their non-human ancestors. Instead of being surprised, Virsay lives a non-linear timeline, joining the girls in drumming and dancing in Minahasan customs. <em>Garden Amidst the Flame<\/em> (Natasha Tontey, 2022) is a piece that challenges the hypermasculinity in karai rituals that she experienced during the director\u2019s experience researching Minahasan customs.<\/p>\n<p>Situated in a village in Minahasa, Virsay and Mikha&#8217;s adventure begins. Singing praises to the Almighty in the Minahasa language, dancing together, and performing prayers are activities that we will find in <em>Garden Amidst the Flame<\/em> (2022). Surrealistically, with the selection of eccentric color tones, Natasha Tontey depicts the form of women&#8217;s marginalization in Minahasa customs that are closely attached to everything male. A non-anthropocentric attitude is implied in the girls&#8217; respect for the hope and protection of ancestors who have lived and breathed ahead of them.<\/p>\n<p>By seamlessly blending the elements of tradition and modernity, <em>Garden Amidst the Flame<\/em> (2022) will captivate us. The quirky artistic choices meld everything we see and hear into something somewhat otherworldly but cohesive. Served as warm as Grandpa Yop&#8217;s homemade <em>tinutuan<\/em>, <em>Garden Amidst the Flame<\/em> (2022) dapat disaksikan dalam program <strong>Lanskap: Grotesque Cinema <\/strong>Festival Film Dokumenter 2023. (Athallah, Tuffahati) (Vanis)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Film Details<br \/>\n<\/strong>Garden Amidst the Flame (En \u00dama an \u00dan\u00e8r I W\u00e0\u2019\u00e0)<br \/>\nNatasha Tontey | 27 Min | 2022 | North Sulawesi, Indonesia | Color | 17+<\/p>\n<p><strong>Screening Schedule<\/strong><br \/>\n12.05 | Auditorium IFI-LIP | 13.00 WIB<br \/>\n12.08 | Gedung ex Bioskop Permata | 18.40 WIB<strong><br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shave your eyebrows and you will be able to see spirits, they said. Perhaps Mikha was right. Her sister, Virsay, returns home to a greeting from their non-human ancestors. Instead of being surprised, Virsay lives a non-linear timeline, joining the girls in drumming and dancing in Minahasan customs. Garden Amidst the Flame (Natasha Tontey, 2022) [&hellip;]<\/p>\n","protected":false},"author":788,"featured_media":32015,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"edition":[648],"class_list":["post-32017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-review-en","edition-ffd-2023-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/32017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/788"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=32017"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/32017\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/32015"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=32017"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=32017"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=32017"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=32017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}