{"id":30360,"date":"2023-10-31T23:44:59","date_gmt":"2023-10-31T16:44:59","guid":{"rendered":"https:\/\/staging.ffd.or.id\/?p=30360"},"modified":"2023-11-18T20:12:42","modified_gmt":"2023-11-18T13:12:42","slug":"kanaka-2023","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/film-review-en\/kanaka-2023\/","title":{"rendered":"Kanaka (2023): The Now and Then of Our Life"},"content":{"rendered":"<p>The ears of beauticians are familiar with the sound of words of many meanings, and it\u2019s no exception to Mikha\u2019s ears. Aside from doing her best as a nail artist, Mikha is also an ear to many of her customers\u2019 stories. She hides her own pain and suffering behind laughter and gossip as a part of her daily routine, which is encapsulated in the documentary <em>Kanaka<\/em> (Regina Surbakti, 2023).<\/p>\n<p>As she resides together in a two-income household with her husband and her only daughter, Mikha is constantly worried about her and her husband\u2019s roles as parents, as they struggle to find time for their daughter, Gendis. Having heard the questionable stories and shady jobs of her customers made Mikha reluctant to let Gendis mature near her whenever she\u2019s working. But releasing one source of income is impossible because it would mean gambling with their chances of survival.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium\" src=\"https:\/\/live.staticflickr.com\/65535\/53288514211_54d9b5c578_b.jpg\" width=\"1024\" height=\"576\" \/><\/p>\n<p><em>Kanaka<\/em> (2023) serves a question of personal and societal roles on a platter to its viewers. How \u2018acceptable\u2019 is a woman\u2019s role as a breadwinner and what does she need to gamble in order to protect that? The portrayal of Mikha and her family in <em>Kanaka<\/em> (2023) is proof that a family living in a dire financial situation will always force the human head to plan out every next step. To have their minds play back and find ways to get through life as they have no choice but to answer the question, \u201cWhat should we do tomorrow? What kind of life do we want to live tomorrow?\u201d.<\/p>\n<p>Lend your ears to hear Mikha\u2019s story at this year\u2019s festival! <em>Kanaka<\/em> (2023) is selected in <strong>Short Competition<\/strong> Festival Film Dokumenter 2023. Perhaps, we are the other Mikha\u2019s. (Athallah, Tuffahati) (Vanis\/Adinta)<\/p>\n<p><strong>Film Details<br \/>\n<\/strong>Kanaka<br \/>\nRegina Surbakti | 25 Minutes | 2023 | DI Yogyakarta | Color | 13+<\/p>\n<p><strong>Screening Schedule<br \/>\n<\/strong>12.05 | Bioskop Sonobudoyo | 19.00 WIB<br \/>\n12.09 | Auditorium IFI-LIP | 15.00 WIB<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The ears of beauticians are familiar with the sound of words of many meanings, and it\u2019s no exception to Mikha\u2019s ears. Aside from doing her best as a nail artist, Mikha is also an ear to many of her customers\u2019 stories. She hides her own pain and suffering behind laughter and gossip as a part [&hellip;]<\/p>\n","protected":false},"author":1182,"featured_media":29343,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"edition":[648],"class_list":["post-30360","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-review-en","edition-ffd-2023-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/30360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/1182"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=30360"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/30360\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/29343"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=30360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=30360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=30360"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=30360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}