{"id":19780,"date":"2022-11-13T18:14:05","date_gmt":"2022-11-13T11:14:05","guid":{"rendered":"https:\/\/ffd.or.id\/?p=19780"},"modified":"2023-10-19T14:11:00","modified_gmt":"2023-10-19T07:11:00","slug":"o-2022-the-sensation-of-watching-a-movie-with-your-eyes-closed","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/film-review-en\/o-2022-the-sensation-of-watching-a-movie-with-your-eyes-closed\/","title":{"rendered":"(((O))) (2022): The Sensation of Watching a Movie with Your Eyes Closed"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">As an audio-visual work, a film will always come with these two combinations. So far, the discourse on film seems to only see how visuals are the only backbone that supports a film. Enjoying a movie is enjoying what it looks and sounds like; through (((O))) (2022), we are going to experience both.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"http:\/\/live.staticflickr.com\/65535\/52496225486_93232d884d_b.jpg\" width=\"1023\" height=\"571\" \/><\/p>\n<p><span style=\"font-weight: 400;\">The power of audio in this film will take you to explore other worlds that sometimes have nothing to do with the visible visuals. Instead of making us uncomfortable, the magic works to impress us along the film. This film offers a sense \u2013 even intimacy \u2013 that can be felt even with your eyes closed. Magically, we hear sounds familiar to us: the sound of an alarm, raindrops, and notifications through loudspeakers.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;<\/span><i><span style=\"font-weight: 400;\">Sounds are the antennas, absorbing the vibration into the light<\/span><\/i><span style=\"font-weight: 400;\">.&#8221;<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full\" src=\"http:\/\/live.staticflickr.com\/65535\/52496225441_b064a19790_b.jpg\" width=\"1023\" height=\"571\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Thus, the ears not only serve a sense of hearing but can also work as the second eye. This experimental documentary based on sounds takes our ears through a variety of silent and noisy sounds. Within 24 minutes, as written by Shih Chieh Lin himself, this documentary can be watched with your eyes closed.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Written by Cindy Gunawan<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Edited by Vanis<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><b>Film Details:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">(((O))) (\u571f\u661f\u983b\u9053)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Shih Chieh Lin | 24 min | Taiwan | Color | 2022 | 15+<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Non-Competition: Spektrum<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><b>Showtime:<\/b><\/p>\n<p><span style=\"font-weight: 400;\">18 November 2022 | Bioskop Sonobudoyo | 15.00<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As an audio-visual work, a film will always come with these two combinations. So far, the discourse on film seems to only see how visuals are the only backbone that supports a film. Enjoying a movie is enjoying what it looks and sounds like; through (((O))) (2022), we are going to experience both. The power [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":19778,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"edition":[513],"class_list":["post-19780","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film-review-en","edition-ffd-2022-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/19780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=19780"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/19780\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/19778"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=19780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=19780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=19780"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=19780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}