{"id":1182,"date":"2019-12-05T08:00:19","date_gmt":"2019-12-05T01:00:19","guid":{"rendered":"https:\/\/ffd.or.id\/site\/uncategorized\/the-curatorial-tour-of-sensory-ethnography-exhibition-with-fiky-daulay\/"},"modified":"2020-09-28T19:28:47","modified_gmt":"2020-09-28T12:28:47","slug":"the-curatorial-tour-of-sensory-ethnography-exhibition-with-fiky-daulay","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/newsletter-en\/the-curatorial-tour-of-sensory-ethnography-exhibition-with-fiky-daulay\/","title":{"rendered":"The Curatorial Tour of Sensory Ethnography Exhibition with Fiky Daulay"},"content":{"rendered":"<p><span style=\"font-weight: 400\">On December 5<\/span><span style=\"font-weight: 400\">th<\/span><span style=\"font-weight: 400\"> 2019, the curator and programmer of the exhibition program of Festival Film Dokumenter (FFD) 2019, Fiky Daulay guided the curatorial tour of Sensory Ethnography exhibition at Kedai Kebun Forum. Four artworks by four filmmakers from SEL (Sensory Ethnography Lab) were displayed in the exhibition room. SEL itself is a group of anthropologists from Harvard University, USA.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Fiky began the tour by introducing the audience to J.P Sniadecki\u2019s <\/span><i><span style=\"font-weight: 400\">The Yellow Bank<\/span><\/i><span style=\"font-weight: 400\"> (2019). The work showed the portrait of Shanghai during the rapidly-changing weather and a total solar eclipse. It let the audiences experience the cold of the raindrops as if it literally poured off their faces or other parts of their body. Fiky continued to the second displayed artwork called <\/span><i><span style=\"font-weight: 400\">An Aviation Field <\/span><\/i><span style=\"font-weight: 400\">(Joana Pimenta, 2016), a small staircase was intentionally placed in front of the artwork for the audiences to use as a chair.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8794\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/FFD-hari-5-13-1.jpg\" alt=\"\" width=\"1920\" height=\"1080\" \/><\/p>\n<p><span style=\"font-weight: 400\">The third installation, <\/span><i><span style=\"font-weight: 400\">Notes from the Fringe<\/span><\/i><span style=\"font-weight: 400\"> (2019, Aryo Danusiri) allowed audiences to understand the filmmaker\u2019s perspective about two phenomena of living in Jakarta. Lastly, <\/span><i><span style=\"font-weight: 400\">Terrace of the Sea<\/span><\/i><span style=\"font-weight: 400\"> (Diana Keown Allan, 2009) was presented as a viewing room installation with a 21 inches television on a table coupled with a big bean bag. Such installation was intended to create the atmosphere of \u201cTemporary house\u201d of the Palestinian refugees.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Fiky explained that the plot of the tour was arranged by the most distant to the most intimate problem of human life; from the nature life to the sight of a family from a 21-inch TV.<\/span><\/p>\n<p style=\"text-align: right\"><span style=\"font-weight: 400\">Written by Nisa Rachmatika<\/span><\/p>\n<p style=\"text-align: right\">Translated by Fidel Demara<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On December 5th 2019, the curator and programmer of the exhibition program of Festival Film Dokumenter (FFD) 2019, Fiky Daulay guided the curatorial tour of Sensory Ethnography exhibition at Kedai Kebun Forum. Four artworks by four filmmakers from SEL (Sensory Ethnography Lab) were displayed in the exhibition room. SEL itself is a group of anthropologists [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1048,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[],"edition":[64],"class_list":["post-1182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-newsletter-en","edition-ffd-2019-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/1182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=1182"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/1182\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/1048"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=1182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=1182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=1182"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=1182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}