{"id":1170,"date":"2019-12-06T02:59:59","date_gmt":"2019-12-05T19:59:59","guid":{"rendered":"https:\/\/ffd.or.id\/site\/uncategorized\/daily-guideline-december-6th-2019\/"},"modified":"2019-12-06T02:59:59","modified_gmt":"2019-12-05T19:59:59","slug":"daily-guideline-december-6th-2019","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/daily-guidelines-en\/daily-guideline-december-6th-2019\/","title":{"rendered":"Daily Guideline &#8211; December 6th, 2019"},"content":{"rendered":"<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Thank God It&#8217;s Friday! In the remaining two days of Festival Film Dokumenter 2019, don&#8217;t slow down, otherwise you&#8217;ll regret for missing these really lit information.<\/span><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Color your weekend by attending the following programs we have for you. Here&#8217;s a daily guideline for today, December 6th, 2019.<\/span><\/p>\n<p><\/p>\n<h2><strong>1.00 PM<\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8296\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_East-Asia-Anti-Japan-Armed-Front-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1080\" data-mce-src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_East-Asia-Anti-Japan-Armed-Front-1-1.jpg\"><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">As usual, you can visit <\/span><a href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/the-feelings-of-reality\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/the-feelings-of-reality\/\"><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">The Feelings of Reality<\/span><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/sensory-ethnography\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/sensory-ethnography\/\"><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">SEL<\/span><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">, dan <\/span><a href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/schooldoc\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/schooldoc\/\"><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">SchoolDoc<\/span><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> exhibition programs that last until 9 p.m. The Feelings of Reality and SchoolDoc will be exhibited at Lobby I and II of Societet Militair, Taman Budaya Yogyakarta, while SEL is set at the gallery of Kedai Kebun Forum. Besides exhibitions, we have prepared two films and one discussion sessions at the same time. Make your choice!<\/span><\/p>\n<p><a href=\"\/?p=6333\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/east-asia-anti-japan-armed-front\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">East Asia Anti-Japan Armed Front<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Kim Mirye, 2019) invites us to trace the history of East Asia Anti-Japan Armed Front, a group responsible for bombing and destruction of several Japanese corporations in 1974. You can watch this film at Societet Militair, Taman Budaya Yogyakarta.<\/span><\/p>\n<p><a href=\"\/?p=3066\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/tonotwiyat-hutan-perempuan\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Hutan Perempuan<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Yulika Anastasia, 2019), which tells the story of Enggros women who make a living off of the natural resources from <\/span><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Hutan Perempuan<\/span><\/i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Women&#8217;s Forest), can be watched at Auditorium IFI-LIP Yogyakarta. Witness how Enggros women preserve their tradition in a forest forbidden for men.<\/span><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Over there at Kedai Kebun Forum,<\/span> <a href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/doctalk-public-lecture\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/doctalk-public-lecture\/\"><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Distribution, Market, &amp; Film Politics Economy: The Faces of Our Film Distribution<\/span><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> presents Nia Dinata and Fajar Hutomo as Financing Access Deputy (D2) of BEKRAF. This session is designed to read the space of film financing in Indonesia. With the two speakers, we are going to trace the types of financing forum suitable for documentary films.<\/span> &nbsp;<\/p>\n<p><\/p>\n<h2><strong>3.00 PM<\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8317\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_abracadabra-2.jpg\" alt=\"\" width=\"1920\" height=\"1080\" data-mce-src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_abracadabra-2.jpg\"><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Let&#8217;s continue with our agenda at IFI-LIP Yogyakarta. We have tailored three films in <\/span><a href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/lanskap\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/ffd-2019\/lanskap\/\"><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Lanskap<\/span><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> program, entitled <\/span><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Tribute to Abduh<\/span><\/i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">. In this session, you can follow a Q&amp;A session with Aryo Danusiri and Lasja F. Susatyo.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/di-atas-rel-mati\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/di-atas-rel-mati\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Di Atas Rel Mati<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Welldy Handoko &amp; Nur Fitriah,2006) visits the story of Wahyudi, Ropik, Ade, and Wanto, who make a living by providing railway trolley services, a transportation popularly used by the people of Dao Atas, Ancol, Jakarta.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/abrakadabra\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/abrakadabra\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Abrakadabra!<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Aryo Danusiri, 2003) explores the situation of Banda Aceh post the Cessation of Hostilities Agreement (COHA) signed by the Free Aceh Movement and the Indonesian government on December 9, 2002.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/tjidurian-19\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/tjidurian-19\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Tjidurian 19<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Lasja F Susatyo &amp; M Abduh Aziz) captures the story of a house in Tjidurian 19 Street. The house witnessed the passion of young artists in the Indonesian literature scene. Tjidurian street no. 19 was a place for idea, live, knowledge, and friendship. One day, the community was shattered by political dissension and seizing some youth in the process.<\/span><\/p>\n<p><\/p>\n<h2><strong>3.25 PM<\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7079\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_Turning-18-2.jpg\" alt=\"FFD 2019 - Turning 18\" width=\"1920\" height=\"1080\" data-mce-src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_Turning-18-2.jpg\"><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Missed the opening film of FFD 2019? Worry not! We&#8217;re playing the film <a href=\"\/?p=6280\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/turning-18\/\"><i>Turning 18<\/i><\/a> (Ho Chao-Ti, 2018) once again at Societet Militair, Taman Budaya Yogyakarta. The film talks about two teenage sisters who struggled to survive the changes in life surrounding them. It is definitely a must-watch if you are interested in coming-of-age documentaries. <\/span><\/p>\n<p><\/p>\n<h2><strong>6.30 PM<\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6651\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_Tambang-Pasir-2.jpg\" alt=\"FFD 2019 - Dokumenter Pelajar - Tambang Pasir\" width=\"1920\" height=\"1080\" data-mce-src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_Tambang-Pasir-2.jpg\"><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Come over to Societet Militair, Taman Budaya Yogyakarta! Out of 8 films that made it to the final of Student Documentary Competition, here are five that will be screened tonight. Do not head back home early, because there will be a Q&amp;A session with the filmmakers after.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/bangkit\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/bangkit\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Bangkit<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Farchany Nashrulloh, 2018) recounts the story of Ahmad Zaky Ash-shiddiq, who has known parkour since he was in junior high school. To him, parkour is everything; because of parkour, he recovered from his illness.<\/span><\/p>\n<p><a href=\"\/?p=4061\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/orang-orang-tionghoa\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Orang-orang Tionghoa<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Icha Feby Nur Futikha, 2019) narrates the lives of three Chinese Indonesian from Purbalingga, who were stripped of their basic rights during the New Order. They were forced to conform to their names, religion, and denied from the freedom of expression.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/tambang-pasir\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/tambang-pasir\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Tambang Pasir<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Sekar Ayu Kinanti, 2019) captures the impact of illegal sand mines in Purbalingga that threatens the community ecology living space.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/ngalih-pejalai-antu-ritual-dayak-iban\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/ngalih-pejalai-antu-ritual-dayak-iban\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Ngalih Pejalai Antu-Ritual Dayak Iban<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Kynan Tegar, 2019) takes the audience to witness the traditional community Dayak Iban living in Sungai Utik, who maintains spiritual connection to nature and the environment. They believed their living space to be the passage for the spirits.<\/span><\/p>\n<p><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/pasur-pasar-sepur\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/pasur-pasar-sepur\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Pasar Sepur<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Sarah Salsabila Shafiyah, 2019) highlights Dupak Magersari Market, also known as the train market, a traditional market dated back to fifty years ago. Its location along running railways is a charm of its own, but also an issue with the government.<\/span><\/p>\n<p><\/p>\n<h2><strong>7.00 PM<\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6747\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2010_film_This-is-My-Home-Come-The-Sleeping-1.jpg\" alt=\"FFD 2019 - Kompetisi Dokumenter Panjang Indonesia - Om Pius, &quot;Ini rumah saya, come the sleeping&quot;\" width=\"1920\" height=\"1080\" data-mce-src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2010_film_This-is-My-Home-Come-The-Sleeping-1.jpg\"><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Shortly after, <\/span><a href=\"\/?p=3053\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/om-pius-ini-rumah-saya-come-the-sleeping\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Om Pius, \u201cIni rumah saya, come the sleeping\u201d<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Halaman Papua, 2019) will be played at Amphitheater, Taman Budaya Yogyakarta. This film takes you into the life of a man who gambles for a living. In his seemingly calm life, he was haunted by the history and tragic memories of Papua.<\/span><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">At the same time, there&#8217;s <\/span><a href=\"\/?p=6268\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/good-neighbours\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Good Neighbours<\/span><\/i><\/a><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\"> (Stella van Voorst van Beest, 2018) at Auditorium IFI LIP. Feel free to witness the grassroot movement to combat loneliness to prevent mental health deterioration. In this film, you&#8217;ll see how Rotterdarmes struggled with crippling loneliness.<\/span><\/p>\n<p><\/p>\n<h2><strong>8.00 PM<\/strong><\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8307\" src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_Lettre-Still-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1081\" data-mce-src=\"https:\/\/ffd.or.id\/site\/wp-content\/uploads\/2020\/09\/2019_film_Lettre-Still-1-1.jpg\"><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">In this final screening session, we present you <\/span><a href=\"https:\/\/ffd.or.id\/site\/en\/film\/lettre-a-ma-soeur\/\" data-mce-href=\"https:\/\/ffd.or.id\/site\/en\/film\/lettre-a-ma-soeur\/\"><i><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Lettre \u00e1 ma s\u0153ur<\/span><\/i><\/a> <span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">(Habiba Djahnine, 2006). Just like the title suggests, this film talks about the director&#8217;s struggle to respond to a letter her sister, Nabila Djahnine, left before she was murdered in 1995.<\/span><\/p>\n<p><span style=\"font-weight: 400\" data-mce-style=\"font-weight: 400;\">Enjoy the films!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thank God It&#8217;s Friday! In the remaining two days of Festival Film Dokumenter 2019, don&#8217;t slow down, otherwise you&#8217;ll regret for missing these really lit information. Color your weekend by attending the following programs we have for you. Here&#8217;s a daily guideline for today, December 6th, 2019. 1.00 PM As usual, you can visit The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1159,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"edition":[64],"class_list":["post-1170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-daily-guidelines-en","edition-ffd-2019-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/1170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=1170"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/1170\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/1159"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=1170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=1170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=1170"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=1170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}