{"id":1102,"date":"2018-12-09T12:11:37","date_gmt":"2018-12-09T05:11:37","guid":{"rendered":"https:\/\/ffd.or.id\/site\/uncategorized\/daily-guideline-monday-december-10th-2018\/"},"modified":"2018-12-09T12:11:37","modified_gmt":"2018-12-09T05:11:37","slug":"daily-guideline-monday-december-10th-2018","status":"publish","type":"post","link":"https:\/\/ffd.or.id\/en\/daily-guidelines-en\/daily-guideline-monday-december-10th-2018\/","title":{"rendered":"Daily Guideline: Monday – December 10th, 2018"},"content":{"rendered":"

1.00 p.m.<\/strong><\/p>\n

\"FFD2018<\/p>\n

COMPETITION \u2013SILENCE IS A FALLING BODY<\/em><\/a> | SOCIETET \u2013 TAMAN BUDAYA YOGYAKARTA<\/p>\n

One of the films in the program feature-length documentary competition that told the personal side of the filmmaker, Agustina Comedi\u2019s father. Agustina Comedi found sides she had never known before from the video records about her father\u2019s political activism and sexuality.<\/p>\n

 <\/p>\n

2.00 p.m.<\/strong><\/p>\n

\"FFD2018<\/p>\n

\u201cHUMAN, FRAME BY FRAME\u201d \u2013THE SHEBABS OF YARMOUK<\/em><\/a> | AUDITORIUM IFI-LIP<\/p>\n

This film presented a story of Palestine\u2019s layer of conflicts. The story of three teenagers taking refuge in Yarmouk which captured the complicated life drama. Between the desire to survive, maintaining the group, or flee.<\/p>\n

 <\/p>\n

2.30 p.m.<\/strong><\/p>\n

\"FFD2018<\/p>\n

COMPETITION \u2013REMAPPING THE ORIGINS <\/em>| SOCIETET \u2013 TAMAN BUDAYA YOGYAKARTA<\/p>\n

Remapping the Origins<\/em><\/a> is one of the selected seven films of feature-length documentary program. This work by Johannes Gierlinger discussed the city Bialystok, the place where Dziga Vertov and Ludwik Lejzer Zamenhov were born. In the form of essay, the present events were associated with the history.<\/p>\n

 <\/p>\n

2.45 WIB<\/strong><\/p>\n

DOC-TALK<\/a>: FILM CRITICISM – AREN’T WE ALL? |AMPHITHEATRE TBY<\/p>\n

With Chris Fujiwara and Adrian Jonathan Pasaribu, Festival Film Dokumenter invited the audience to examine the practice of film critics in Indonesia through questions such as how film critics are present in Indonesia with its unstable cinematic situation and does the change of media influence an entity from critics.<\/p>\n

 <\/p>\n

3.30 WIB<\/strong><\/p>\n

\"FFD2018<\/p>\n

NYANYIAN AKAR RUMPUT<\/em><\/a> | SOCIETET TAMAN BUDAYA YOGYAKARTA.<\/p>\n

\u201cHuman, Frame by Frame\u201d is a program that highlights human and its surrounding events, discussing Fajar Merah\u2019s struggle in retelling his father\u2019s stories through composed and sung songs. Fajar hoped that his effort could bring fresh breeze for human rights violation cases in Indonesia, which its political conditions are currently changing.<\/p>\n

 <\/p>\n

4.00 p.m.<\/strong><\/p>\n

\"FFD2018<\/p>\n

KOMPETISI PENDEK<\/a> |QnA| AUDITORIUM IFI-LIP.<\/p>\n

Five films of short category competition will be screened consecutively and present critics regarding some issues. DEATHCROW48<\/em><\/a> highlights the practice of idol, The Nameless Boy<\/em><\/a> comprehends the hate speech in its surrounding through the body of a child, Swara Kalbu<\/em><\/a> shows the persistence of loving their happiness, NIQAB: We Are Not Different<\/em><\/a> which underlines the blasphemy case and phobia to hijab, Lahir di Darat, Besar di Laut<\/em><\/a> which told the story of a fisherman who bets his life.<\/p>\n

 <\/p>\n

6.30 p.m.<\/strong><\/p>\n

\"FFD<\/p>\n

MAKALA<\/a> |SOCIETET TAMAN BUDAYA YOGYAKARTA<\/p>\n

This program offered various narrative style in documentary films, presenting a Congolese film titled Makala<\/em><\/a>. The film told the story of a young farmer who decided to give his all to his lover. He didn\u2019t have many capitals; all he has is his strong hands and solid determination.<\/p>\n

 <\/p>\n

7.00 p.m.<\/strong><\/p>\n

\"FFD2018<\/p>\n

\u201cHUMAN, FRAME BY FRAME\u201d \u2013ANGIN PANTAI SANLEKO<\/em><\/a> | Q & A | AMPHITHEATER TAMAN BUDAYA YOGYAKARTA<\/p>\n

The audience was invited to explore Hersri Setiawan\u2019s memories when he was isolated, adding the variety of violence cases that have happened in Indonesia. His longing towards his friends and his younger life became hard to believe and just flew away, since sites that were consciously removed have crushed Hersri\u2019s journey in proving the history.<\/p>\n

\"Golden-Memories-2\"<\/p>\n

GOLDEN MEMORIES (PETITE HISTOIRE OF INDONESIAN CINEMA)<\/em><\/a> | AUDITORIUM IFI-LIP<\/p>\n

Exploring the Indonesian family cinematic trace with three filmmakers, even to Netherland, produced new founding when they met Kwee Zwan Liang and Rusdi Attamimi. The aesthetics and facts of family cinema from generation to generation, becoming an entity to add new layers in Indonesian film history.<\/p>\n

 <\/p>\n

8.30 p.m.<\/strong><\/p>\n

\"FFD2018<\/p>\n

PHOTO FARAG <\/em>(2016)<\/a> | SOCIETET TBY<\/p>\n

Photo Farag<\/em><\/a>, one of the movies from feature-length movie category competition<\/a>, offered the story of an Iraq-Jewish descendant family from Baghdad. The problems Faraq\u2019s family faced encouraged the audience to meet the golden era of their photography business that was in contrast with the present condition.<\/p>\n

 <\/p>\n

 <\/p>\n

DOCSOUND INSTALLATION: WATERLAND<\/em> (2018) | EPSON ROOM, TBY<\/p>\n

You could enjoy this installation on Thursday, December 6th<\/sup> to Tuesday, December 11th<\/sup> at Epson Room, TBY on 2 p.m. to 5.30 p.m. and 6.30 p.m. to 9 p.m. Waterland<\/em><\/a> (2018) is one of the programs of DocSound<\/a> that presents the position of sound in daily life through movie medium. The selected movies in this program treat the element of sound as the main strength to open new perspective in approaching the relation between movies, sounds, and our daily life.<\/p>\n

INTERACTIVE DOCUMENTARY: \u201cFEELINGS OF REALITY\u201d | GALLERY ROOM, TBY<\/p>\n

Four documentaries VR based could be enjoyed in this slot on Thursday December 6th<\/sup> until Tuesday December 11th<\/sup> at Gallery Room TBY on 1 p.m. to 4 p.m. and 6.30 p.m. to 8.30 p.m. Gaza\u2019s Amputee Football Team<\/em><\/a>, <\/em>Cuba\u2019s Blind Baseball<\/em><\/a>, <\/em>Living with Disability<\/em><\/a>, <\/em>and The Curse of Palm Oil<\/em><\/a> are the movies from the program \u201cFeelings of Reality<\/a>\u201d which will be presented to widen the influence of disability issue movies with a documentary and VR approach.<\/p>\n","protected":false},"excerpt":{"rendered":"

1.00 p.m. COMPETITION \u2013SILENCE IS A FALLING BODY | SOCIETET \u2013 TAMAN BUDAYA YOGYAKARTA One of the films in the program feature-length documentary competition that told the personal side of the filmmaker, Agustina Comedi\u2019s father. Agustina Comedi found sides she had never known before from the video records about her father\u2019s political activism and sexuality. […]<\/p>\n","protected":false},"author":1,"featured_media":575,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"edition":[63],"class_list":["post-1102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-daily-guidelines-en","edition-ffd-2018-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/1102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=1102"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/posts\/1102\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/575"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=1102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/categories?post=1102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/tags?post=1102"},{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=1102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}