{"id":56327,"date":"2025-11-08T22:40:29","date_gmt":"2025-11-08T15:40:29","guid":{"rendered":"https:\/\/ffd.or.id\/?page_id=56327"},"modified":"2025-11-08T22:40:29","modified_gmt":"2025-11-08T15:40:29","slug":"politik-estetika-setelah-screenlife-dan-desktop-documentary","status":"publish","type":"page","link":"https:\/\/ffd.or.id\/en\/ffd-2025\/doc-talk\/politik-estetika-setelah-screenlife-dan-desktop-documentary\/","title":{"rendered":"Politik Estetika Setelah Screenlife dan Desktop Documentary"},"content":{"rendered":"<p>The representation process of physical reality questions the fundamental shift in our relationship with reality, where reality is no longer presented in front of the camera, but represented on the screen instead. Recent post-optical or post-cinematic films, which seem to abandon the process of \u201ctransferring reality from the object to its reproduction\u201d (Andr\u00e9 Bazin), spark discourse on the role of representation and politics. Post-optical documentaries do not seek to represent reality anymore.<\/p>\n<p>This session seeks to formulate and process questions about representation and politics that have gained new relevance after the emergence of screenlife and desktop documentaries, with reference to Jacques Ranci\u00e8re\u2019s reflections on aesthetic politics and his thesis that what distinguishes documentary films from fiction films is that they \u201cdo not treat the real as an effect to be produced, but as a fact to be understood.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The representation process of physical reality questions the fundamental shift in our relationship with reality, where reality is no longer presented in front of the camera, but represented on the screen instead. Recent post-optical or post-cinematic films, which seem to abandon the process of \u201ctransferring reality from the object to its reproduction\u201d (Andr\u00e9 Bazin), spark [&hellip;]<\/p>\n","protected":false},"author":788,"featured_media":55952,"parent":55527,"menu_order":88,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"edition":[781],"class_list":["post-56327","page","type-page","status-publish","has-post-thumbnail","hentry","edition-ffd-2025-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/pages\/56327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/users\/788"}],"replies":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/comments?post=56327"}],"version-history":[{"count":0,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/pages\/56327\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/pages\/55527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/55952"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=56327"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=56327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}