{"id":62777,"date":"2026-11-05T14:50:00","date_gmt":"2026-11-05T07:50:00","guid":{"rendered":"https:\/\/ffd.or.id\/?post_type=film&p=62777"},"modified":"2026-11-05T14:50:00","modified_gmt":"2026-11-05T07:50:00","slug":"nostalgia-for-the-future","status":"publish","type":"film","link":"https:\/\/ffd.or.id\/en\/film\/nostalgia-for-the-future\/","title":{"rendered":"Nostalgia for the Future"},"content":{"rendered":"<p>Guided by the narration of Charlotte Rampling, Nostalgia for the Future is a descent into the labyrinthine world of Chris Marker, the \u201cbest-known author of unknown films,\u201d who spent a lifetime concealing himself behind a veil of pseudonyms and images of cats. Moving through a constellation of personal documents and film fragments, an archivist attempts to decode the man through the material traces he left behind. By repurposing and recontextualizing Marker\u2019s own body of work, the film treats his images as \u201ctime machines,\u201d transforming the archive into a landscape of living memory. Nostalgia for the Future is a meditation on memory, identity, and the power our past images hold over the futures we imagine.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guided by the narration of Charlotte Rampling, Nostalgia for the Future is a descent into the labyrinthine world of Chris Marker, the \u201cbest-known author of unknown films,\u201d who spent a lifetime concealing himself behind a veil of pseudonyms and images of cats. Moving through a constellation of personal documents and film fragments, an archivist attempts [&hellip;]<\/p>\n","protected":false},"featured_media":62771,"template":"","edition":[825],"program":[695],"class_list":["post-62777","film","type-film","status-publish","has-post-thumbnail","hentry","edition-825","program-utopia-dystopia"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film\/62777","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/film"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/62771"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=62777"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=62777"},{"taxonomy":"program","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/program?post=62777"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}