{"id":41414,"date":"2024-10-11T21:41:55","date_gmt":"2024-10-11T14:41:55","guid":{"rendered":"https:\/\/ffd.or.id\/film\/fifth-cinema\/"},"modified":"2024-10-14T18:14:51","modified_gmt":"2024-10-14T11:14:51","slug":"fifth-cinema","status":"publish","type":"film","link":"https:\/\/ffd.or.id\/en\/film\/fifth-cinema\/","title":{"rendered":"Fifth Cinema"},"content":{"rendered":"<p>Fifth Cinema begins with a quiet statement \u201cI am a filmmaker, as you know.\u201d That text and what follows, by Maori filmmaker Barry Barclay, who coined the term \u2018Fourth Cinema\u2019 to distinguish indigenous cinema from the established \u2018First, Second, and Third Cinema\u2019 framework, provides structure to Nguyen\u2019s hybrid essay film that moves on multiple cinematic and topical terrains. Eschewing voice in favor of the written word and juxtaposing moving images of the filmmaker\u2019s own daughter with archival images of Vietnamese women seen through the lens of the \u201cship\u2019s officers\u201d, the film slowly leads the viewer through a narrative of colonialism, indigeneity and cinematic limitations in representation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fifth Cinema begins with a quiet statement \u201cI am a filmmaker, as you know.\u201d That text and what follows, by Maori filmmaker Barry Barclay, who coined the term \u2018Fourth Cinema\u2019 to distinguish indigenous cinema from the established \u2018First, Second, and Third Cinema\u2019 framework, provides structure to Nguyen\u2019s hybrid essay film that moves on multiple cinematic [&hellip;]<\/p>\n","protected":false},"featured_media":41378,"template":"","edition":[742],"program":[139],"class_list":["post-41414","film","type-film","status-publish","has-post-thumbnail","hentry","edition-ffd-2024-en","program-perspektif-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film\/41414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/film"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/41378"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=41414"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=41414"},{"taxonomy":"program","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/program?post=41414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}