{"id":30706,"date":"2023-10-28T01:54:48","date_gmt":"2023-10-27T18:54:48","guid":{"rendered":"https:\/\/staging.ffd.or.id\/film\/swimming-dancing\/"},"modified":"2023-11-11T22:16:06","modified_gmt":"2023-11-11T15:16:06","slug":"swimming-dancing","status":"publish","type":"film","link":"https:\/\/ffd.or.id\/en\/film\/swimming-dancing\/","title":{"rendered":"Swimming, Dancing"},"content":{"rendered":"<p><em>Swimming, Dancing<\/em> examines audiovisual representations of the Yangtze (1934\u2013present), from silent film to video art to the contemporary vlog. Used by poets and politicians alike for personal or ideological ends, the Yangtze has often been domesticated as a symbol. The river itself\u2013part of a natural world that predates human habitation along its banks\u2013defies such interpretations. Over the last century, it has been transformed beyond recognition by industrialisation and pollution. Inspired by the city symphonies of the 1920s, <em>Swimming, Dancing<\/em> pieces together a river symphony, evoking the images, sounds, and contradictions that make up the river\u2019s turbulent history, suggesting that if the Yangtze represents anything, it is the mercurial relationship between humanity and nature.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Swimming, Dancing examines audiovisual representations of the Yangtze (1934\u2013present), from silent film to video art to the contemporary vlog. Used by poets and politicians alike for personal or ideological ends, the Yangtze has often been domesticated as a symbol. The river itself\u2013part of a natural world that predates human habitation along its banks\u2013defies such interpretations. [&hellip;]<\/p>\n","protected":false},"featured_media":30703,"template":"","edition":[648],"program":[697],"class_list":["post-30706","film","type-film","status-publish","has-post-thumbnail","hentry","edition-ffd-2023-en","program-monographs-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film\/30706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/film"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/30703"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=30706"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=30706"},{"taxonomy":"program","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/program?post=30706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}