{"id":19222,"date":"2022-11-07T23:27:47","date_gmt":"2022-11-07T16:27:47","guid":{"rendered":"https:\/\/ffd.or.id\/film\/spell-reel\/"},"modified":"2022-11-07T23:27:47","modified_gmt":"2022-11-07T16:27:47","slug":"spell-reel","status":"publish","type":"film","link":"https:\/\/ffd.or.id\/en\/film\/spell-reel\/","title":{"rendered":"Spell Reel"},"content":{"rendered":"<p>In 2011, an archive of film and audio material re-emerged in Bissau. On the verge of complete ruination, the footage testifies to the birth of Guinean cinema as part of the decolonising vision of Am\u00edlcar Cabral, the liberation leader assassinated in 1973. In collaboration with the Guinean filmmakers Sana na N\u2019Hada and Flora Gomes, and many allies, Filipa C\u00e9sar imagines a journey where the fragile matter from the past operates as a visionary prism of shrapnel to look through. Digitized in Berlin, screened and live commented, the archive convokes debates, storytelling, and forecasts. From isolated villages in Guinea-Bissau to European capitals, <em>Silent Reels<\/em> is now the place from where people search for antidotes for a world in crisis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In 2011, an archive of film and audio material re-emerged in Bissau. On the verge of complete ruination, the footage testifies to the birth of Guinean cinema as part of the decolonising vision of Am\u00edlcar Cabral, the liberation leader assassinated in 1973. In collaboration with the Guinean filmmakers Sana na N\u2019Hada and Flora Gomes, and [&hellip;]<\/p>\n","protected":false},"featured_media":19097,"template":"","edition":[513],"program":[139],"class_list":["post-19222","film","type-film","status-publish","has-post-thumbnail","hentry","edition-ffd-2022-en","program-perspektif-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film\/19222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/types\/film"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media\/19097"}],"wp:attachment":[{"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/media?parent=19222"}],"wp:term":[{"taxonomy":"edition","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/edition?post=19222"},{"taxonomy":"program","embeddable":true,"href":"https:\/\/ffd.or.id\/en\/wp-json\/wp\/v2\/program?post=19222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}